Character Development Gone Wrong

In an earlier post I admitted to absolutely hating my ten-year-old main character for being the brattiest, most annoying kid I could have come up with. To be honest, though, when I started thinking out the storyline I purposefully made him that way. Since he was a huge brat, it would be easy to make him go through some character development, or so I thought. I wanted to teach him to care about people instead of bossing them around and getting them into danger. I wanted him to become less of a lazy brat and actually start doing things on his own. However, I completely failed in this. The kid started out as a horrible person, which was enough for me to just despise having to write about him. I couldn’t even get around to his character development, as I’m only three books in.
Character development is good for any story. It is great. It is perfect for fleshing out characters, as it allows the writer to make the character overcome both external and internal obstacles. However, these internal obstacles sadly can get too big to overcome. I believe that our personalities are set – we cannot change who we are at the core, we can only change what we do with it. Sure, our beliefs can be challenged – so can mine. Maybe our personalities aren’t set in stone, but that doesn’t mean that this kid can go through a 180 degree turnaround.
Now, there is a big question left: how does one make a character develop in a way that feels natural, without them needing to be horrible people from the start? We, as writers, cannot force our characters to become people they are not. However, they can learn how to be a little braver, a little nicer or a little less reckless. Sometimes they have to. Even the laziest person would want to save their loved ones, right? Let them have to fight their internal battles to overcome the external ones.

The Voice

No, this is not a post about that horrible yet way too popular talent show which I don’t want to hear a thing about. Instead it’s about voices. Not voices in the literal sense, the ones that you can hear with your ears, but the ones that you can only hear in your mind. I’m talking about character voices.
In order to be believable, every book character or actual narrator needs their own personal voice. This doesn’t have to be complicated; it can be as simple as not letting a not-so-smart character use difficult words, as simple as letting a popular character speak in popular language and as simple as giving a character a catch phrase. Things like these are what makes a character come to life. This is even more important when writing in a first-person point of view, where one voices completely dominates the entire story. That voice needs to be strong, distinct and preferably relatable or interesting in another way. The kid in Emma Donoghue’s “Room” is a great example of this, as he is the story’s narrator and it clearly shows through that he is a little child who really doesn’t understand the world. I personally loved that novel, especially because it was so dark yet cute at the same time.
Another way of giving a character a voice is by actually writing out what they say phonetically, which might work if they have an accent or a speech impedement – but please do not overdo this, as I’m one of those people who wants to be able to understand what is being said without having to read it out loud/three times. Accents can give a character colour, although they come with some other dangers, as they might come across as racist or belittling towards those from a certain area or background. Also, the accent/dialect/whatever is spoken in my area is the most annoying kind of speech I know and I really wouldn’t want to see it in a book.
Character voices can make or break a novel. They can give a story a certain freshness if the protagonist or narrator is someone with a strong personality or wit, although this also goes the other way around. If the character is dull, their voice will reflect that – and a dull voice does not make for an interesting read.
Who is your favourite voice?